Episodes

Saturday May 01, 2021
EPISODE 43 - STEPHEN COATES
Saturday May 01, 2021
Saturday May 01, 2021
Aug Stone goes over the long and interesting career of The Real Tuesday Weld with Stephen Coates as he brings things to a close with a trio of final albums
https://therealtuesdayweld.com/home
https://www.facebook.com/therealtuesdayweld
https://twitter.com/realtuesdayweld
https://www.instagram.com/realtuesdayweld/

Saturday Apr 24, 2021
EPISODE 42 - ANDREW SHAW
Saturday Apr 24, 2021
Saturday Apr 24, 2021
Aug Stone talks to Andrew Shaw of The Silent Academy about the nature of memory, Star Wars, Eastern philosophy, his new book coordinates, and much more
https://www.silentacademy.com/
Twitter: @silentacademy
IG: @thesilentacademy

Saturday Apr 17, 2021
EPISODE 41 - BEN SIDDALL FROM THE LODGER
Saturday Apr 17, 2021
Saturday Apr 17, 2021
Aug Stone talks to Ben Siddall from The Lodger about their comeback after a decade, new album Cul-De-Sac Of Love, the song ‘Different Drum’, many many rock and pop bands, and much more
@thelodgerband
https://www.facebook.com/thelodgerband
https://www.instagram.com/thelodgerband/
https://album.link/i/1552769015

Monday Apr 12, 2021
EPISODE 40 - PETER BEBERGAL
Monday Apr 12, 2021
Monday Apr 12, 2021
Aug Stone chats to author Peter Bebergal about his new book Appendix N: The Eldritch Roots Of Dungeons & Dragons, his own D&D games, psychogeography, music, and a whole lot more
Twitter: @peterbebergal
IG: @peter_bebergal
http://strangeattractor.co.uk/shoppe/appendix-n/

Sunday Apr 04, 2021
EPISODE 39 - HEDVIG MOLLESTAD II
Sunday Apr 04, 2021
Sunday Apr 04, 2021
Aug Stone talks to Norwegian guitarist Hedvig Mollestad about her killer new album Ding Dong. You’re Dead, motherhood & her ‘Maternity Beat’ project, Black Sabbath, a Two Ronnies sketch, and much more
Facebook: https://www.facebook.com/HedvigMollestadTrio/
Twitter: @HedvigMollestad
Instagram: @HedvigMollestadTrio
Buy the album: https://boomkat.com/products/ding-dong-you-re-dead

Sunday Mar 28, 2021
EPISODE 38 - STEVE AYLETT
Sunday Mar 28, 2021
Sunday Mar 28, 2021
Aug Stone talks to author Steve Aylett about his new comic Hyperthick, the legacy of Lint, why he finds hens so hilarious, seeing ideas as shapes, treating the reader with intelligence and respect, Trickster archetypes, stand-up comedy, and much more
Twitter: @steveaylett

Sunday Mar 21, 2021
EPISODE 37 - RIAN HUGHES
Sunday Mar 21, 2021
Sunday Mar 21, 2021
Aug Stone talks to graphic designer, comics artist, and author Rian Hughes about his mammoth new book XX, punk rock, unique London nightclubs, book cover vs album sleeve design, and much more
Twitter: @rianhughes
https://www.devicefonts.co.uk/
https://celestialmechanic.bandcamp.com/

Friday Mar 12, 2021
EPISODE 36 - MARTIN NEWELL
Friday Mar 12, 2021
Friday Mar 12, 2021
Aug Stone talks to The Jangling Man himself, Martin Newell, about his upcoming reissue of The Off White Album, the new record he’s just recorded, writing a libretto for Rip Van Winkle, his thoughts on The Kinks, Slade, and White Reaper, the cluelessness of ‘the music biz’, and much more
Twitter: @Cleaners_Venus1

Sunday Feb 07, 2021
EPISODE 35 - MARK REEDER
Sunday Feb 07, 2021
Sunday Feb 07, 2021
Young Southpaw talks to musician and raconteur Mark Reeder about his film B Movie: Lust & Sound in West-Berlin 1979-1989, putting on Joy Division’s only Berlin gig, illegal punk rock shows behind the Wall in East Germany, and much more
https://markreeder.bandcamp.com/
Twitter: @markreedermfs
IG: @ markreeder.mfs
https://www.youngsouthpaw.com/
Young Southpaw: You were Factory Record’s man in Berlin?
Mark Reeder: Well, I knew Joy Division, I knew Ian Curtis even before he was in a band. Rob Gretton, who became their manager, was a DJ at one of the clubs in Manchester. I used to work at a record shop and I’d supply these DJs with all their records, make suggestions and stuff. And when Joy Division actually made their first single, they came into the shop and asked me if I’d put it in the shop and sell it, which I did, of course. An Ideal For Living. So I knew the people who were involved, and I knew Tony Wilson as well. He’d come in every Saturday evening and ask me to put some records aside, any cool ones. So I got really involved with them. And when I moved to Germany, the first thing Rob Gretton said was ‘can I send you some records and you can send them to the radio stations and maybe we’ll get some airplay? You never know, we might get a gig.’ And no one was remotely interested (laughs) in this miserable band from Manchester. They didn’t care. We didn’t get any reaction at all.
YS: And you put on their one show in Berlin. What was that like?
LISTEN TO THE EPISODE TO FIND OUT

Monday Feb 01, 2021
EPISODE 34 - HANCO KOLK
Monday Feb 01, 2021
Monday Feb 01, 2021
Young Southpaw talks to Dutch artist, Hanco Kolk, about his new Meccano book, Billy Wilder films, his soundtrack choices to suit his different working methods, and much more
https://www.instagram.com/hancokolk/
https://www.youngsouthpaw.com/
Hanco Kolk: When I’m sketching, it’s different than when I’m inking. When I’m sketching I need to clear my head. There’s this little voice in my head that says ‘you’re never gonna be there. You’ve fooled the public for 30 years but now it’s over.’ So I have to have real loud music, just to put those ideas out of my head. But when I’m inking it’s just nice lines so different music, soundtracks mostly. I love Sergio Leone and Ennio Morricone soundtracks. It has to be a bit theatrical, it has to be big. But when I’m sketching it could be hardcore rap, or metal, or anything. Anything that keeps my blood going.
Young Southpaw: What have you been listening to recently?
HK: A Dutch artist called Spinvis, who is a bit arty but his production is fantastic, his songs are great, and I really love his music. Sometimes you have music that you feel under your skin, like ‘oh yeah, this feels good’. This is that kind of music. He’s also a friend. We met when I was doing artwork for him. Apparently he always wanted to be a comic artist and I always wanted to make music so we live each other’s dreams. What I liked about him first time we met was I was working on artwork for a song of his that is really melancholic, a deep and poetic song, and he came in and took his guitar and made a carnival version of it. Someone who takes himself not too seriously, I love that. That’s how we became friends. Sometimes I draw live onstage with him and the band.